One of the perks of the reception position I'm currently filling is fielding the barrage of sales calls this place gets by the truckload every day. Whatever job you currently pretend to do (unless you're cleaning out sewers with your bare hands in the Philippines) I am absolutely certain that it's not as psychologically damaging as a job in fucking sales. Especially when it involves cold-calling people during an economic recession. Honestly, now, in 2009, it'd be easier to convince a person to consent to butt rape than it would be to get them to buy anything. So, I'm not shocked when these sales folk are audibly stressed out on the phone.
An example (the name of the company has been changed to protect the innocent):
ME (picking up phone): LBR Inc.
WILLY LOMAN: Can I speak to the person in charge of retirement benefits?
ME: No.
WILLY LOMAN: (in a strange mock weeping voice) WHY NOT????
No, I'm not kidding. These people call disinterested parties all day and they've lost their minds. Any semblance of cordiality or professionalism is thrown out the window as soon as they know you're on to them. Today's example:
ME: LBR Inc.
SHELLEY "THE MACHINE" LEVENE: Who is the person in charge of your photo copier equipment?
ME: We're actually happy with the set-up we have now, thanks.
LEVENE: (pause) HELLO?! THAT'S NOT WHAT I ASKED YOU!!!
Click.
Indeed, that isn't what he asked me, but I'm not sure my cutting to the chase should warrant his wanting to pull my balls off with his teeth.
What I've noticed is that these poor dopes are now resigned to one of two states of being: playful nonchalance or mind-numbing rage. After you pull back the curtain on their little game, you get to see which character steps out and it's actually pretty fascinating. I mean, can you imagine being a photocopier salesman in Manhattan, walking into work every morning knowing that your livelyhood depends on your ability to sucker people into purchasing items they most likely already have and are perfectly happy with? The very fact that you don't wedge the barrel of a double-action revolver into your mouth and pull the trigger while tears of relief cascade down your face is a blessed miracle.
Thursday, May 21, 2009
Friday, May 08, 2009
Knockin' me out with those American thighs
I'm not sure if it's a matter of upbringing or neurological endowment, but New York City commuters seem to be unable to sense the critical moment when their expansive, sweaty flesh gently abuts another human being. Sure, we've all experienced a lovable scamp who doesn't seem to understand that his awful body has crossed over into foreign territory, but what's even more insufferable is the moment when this cretin leans into it, as if he's discovered a magic cushion in the subway car. No sir, that's my elbow. You're sitting on my elbow.
On the newer trains, each bench is bookended by metal railings that form a sort of grating that separates those standing by the doors from those sitting at the end of the bench. On the older trains, these gratings were actually solid walls through which no flesh could pass. Now, loose skin can creep, like jelly through the tines of a fork, through the piping and rest on the shoulder of whatever unsuspecting dope is unfortunate enough to be sitting beneath it. I am, more often than not, that very dope. What I find shocking is that the owner of the flab pressing against mine rarely acknowledges we're touching. Either these folks don't have nerve endings in their asscheeks, or, to them, this is acceptable contact, a sort of agreed upon evil we all must endure. Now, if I were to jump up and kiss them tenderly on the nape of their neck, I have a strong feeling that the social contract would be rendered null and void.
What I don't understand is how anyone can be comfortable with rubbing up against a stranger. Of course, there are perverts, but most of the time I'm being molested by regular people. I can sense immediately when any part of my body is near someone else's. As a result, I rarely step on toes, I know instinctively when to move to a less intrusive position, and I most certainly know when my skin is dangerously close to alien beings. Hell, this sensation even extends to where my BAG is in space, much less my person. Do people not FEEL the presence of someone else? If so, doesn't it creep them out?
On the newer trains, each bench is bookended by metal railings that form a sort of grating that separates those standing by the doors from those sitting at the end of the bench. On the older trains, these gratings were actually solid walls through which no flesh could pass. Now, loose skin can creep, like jelly through the tines of a fork, through the piping and rest on the shoulder of whatever unsuspecting dope is unfortunate enough to be sitting beneath it. I am, more often than not, that very dope. What I find shocking is that the owner of the flab pressing against mine rarely acknowledges we're touching. Either these folks don't have nerve endings in their asscheeks, or, to them, this is acceptable contact, a sort of agreed upon evil we all must endure. Now, if I were to jump up and kiss them tenderly on the nape of their neck, I have a strong feeling that the social contract would be rendered null and void.
What I don't understand is how anyone can be comfortable with rubbing up against a stranger. Of course, there are perverts, but most of the time I'm being molested by regular people. I can sense immediately when any part of my body is near someone else's. As a result, I rarely step on toes, I know instinctively when to move to a less intrusive position, and I most certainly know when my skin is dangerously close to alien beings. Hell, this sensation even extends to where my BAG is in space, much less my person. Do people not FEEL the presence of someone else? If so, doesn't it creep them out?
Wednesday, May 06, 2009
The Prospect Avenue Affair
I often feel as if I was born woefully late, as I seem to be drawn to old-timey language and entertainment. Occasionally, I'll throw on a radio serial from the 40s and bask in the "tune in next week" anticipation of it all. The show Lost is sort of like that and I suppose that's why I'm drawn to it. I guess I'm not only drawn to these serial-type dramas, but I actively seek them out. For instance, while waiting for a train at the Prospect Avenue stop, I noticed a bit of writing on one of the I-beams:

Where, indeed. At first I thought this was an isolated chunk of graffito, and, in fact, it was painted over a few days later. The truth, however, is that this was episode one in what may be an interesting tale of pornography, crime, and butt sex. The next week, I documented this brash offer:

Forgetting for a moment that this gentleman's slogan sounds dangerously close to a hotdog advertisement, I think it's really interesting that there may really be a pornographic program, most likely of the internet variety, that is shot on this platform on the R train. Throughout the ensuing week, I saw new graffiti on the wall that poked fun at a transit cop who reportedly got in on the action and was admonished for having "a small dick." Bear in mind that ALL of this is painted over within a few days of its being written, so it's almost as if there is a string of dialogue between this aspiring porn producer and an MTA employee, who must surely have read the messages before he/she paints over them. Speculation, you say? Well, in response to seemingly nothing (as there were no previous offers written in someone else's hand), I found this tidbit this morning:

The plot thickens. As does this dude's member.
I know this is all probably some tweener thinking he's being cute, but I would love for it to be real and for real trouble to befall both the anonymous poster and the MTA. I'll keep you posted.

Where, indeed. At first I thought this was an isolated chunk of graffito, and, in fact, it was painted over a few days later. The truth, however, is that this was episode one in what may be an interesting tale of pornography, crime, and butt sex. The next week, I documented this brash offer:

Forgetting for a moment that this gentleman's slogan sounds dangerously close to a hotdog advertisement, I think it's really interesting that there may really be a pornographic program, most likely of the internet variety, that is shot on this platform on the R train. Throughout the ensuing week, I saw new graffiti on the wall that poked fun at a transit cop who reportedly got in on the action and was admonished for having "a small dick." Bear in mind that ALL of this is painted over within a few days of its being written, so it's almost as if there is a string of dialogue between this aspiring porn producer and an MTA employee, who must surely have read the messages before he/she paints over them. Speculation, you say? Well, in response to seemingly nothing (as there were no previous offers written in someone else's hand), I found this tidbit this morning:

The plot thickens. As does this dude's member.
I know this is all probably some tweener thinking he's being cute, but I would love for it to be real and for real trouble to befall both the anonymous poster and the MTA. I'll keep you posted.
Friday, May 01, 2009
Secret eating!
Last night saw your intrepid reporter at a bar dangerously close to where he used to work (I noticed all of the shelving is still up...weren't we supposed to be out of there four months ago?). After several rounds of what midtown Manhattan tries to pass off as a happy hour, my former colleagues suggested we go to a somewhat hidden Japanese restaurant. Now, this mystic eatery was something of a myth where I used to work, a place few had been to and practically no one spoke of. So, I was not surprised when my pal, after we'd walked a few blocks, herded us toward a simple, nondescript door sandwiched between a hotel and a flashy fast food joint.
ME: Wait. Wait, this is it?
HE: Yes.
ME: This is a restaurant?
HE: Yes.
ME (thinking): Do we need a password?
I can honestly say I didn't know what to expect. I wouldn't have been shocked if all three of us were promptly gutted with sushi knives and left to bleed out in an alley. However, the small room into which we were led was as understated as the door and it was filled with Japanese men in business attire chatting away and ignoring the fact that three American dudes just seemingly stumbled upon their hideaway. My friend, a frequent customer, was warmly greeted and we all sat down to enjoy dinner which, like the place itself, was a complete mystery as there is no set menu. You're asked how hungry you are, a little or a lot, and whatever Japanese delight the chef has concocted that evening is brought to your table until you tell them to stop. We were treated to noodles in caviar, cucumbers served with a rich Japanese mayonnaise, shaved bits of fried fish, and an unbelievable Japanese curry.
The meal ended the way it began, in a sort of dreamy dissipation. We all parted ways, promising to see each other more regularly. But we didn't speak about going back to the restaurant. It was a secret place. I'm not sure if I could ever find it again.
ME: Wait. Wait, this is it?
HE: Yes.
ME: This is a restaurant?
HE: Yes.
ME (thinking): Do we need a password?
I can honestly say I didn't know what to expect. I wouldn't have been shocked if all three of us were promptly gutted with sushi knives and left to bleed out in an alley. However, the small room into which we were led was as understated as the door and it was filled with Japanese men in business attire chatting away and ignoring the fact that three American dudes just seemingly stumbled upon their hideaway. My friend, a frequent customer, was warmly greeted and we all sat down to enjoy dinner which, like the place itself, was a complete mystery as there is no set menu. You're asked how hungry you are, a little or a lot, and whatever Japanese delight the chef has concocted that evening is brought to your table until you tell them to stop. We were treated to noodles in caviar, cucumbers served with a rich Japanese mayonnaise, shaved bits of fried fish, and an unbelievable Japanese curry.
The meal ended the way it began, in a sort of dreamy dissipation. We all parted ways, promising to see each other more regularly. But we didn't speak about going back to the restaurant. It was a secret place. I'm not sure if I could ever find it again.
Thursday, April 30, 2009
Thanks MTA!
Tuesday, April 28, 2009
Laborious
Part of the fun of unemployment is trudging through the painful and wonderfully inefficient bureaucracy behind it all. For instance, telephone directories for most major companies can be convoluted, but government help lines take automation to an almost cartoonish extreme. After about fifteen minutes of the usual choose-your-own-demise style menu system, the New York Department of Labor hotline prompted me, at long last, to press 3 if I would like to ask a question. I was convinced that the next command heard would be:
"If you have an easy question, press "1." If you have a hard question, press "2." If you would like to ask your question in a high-pitched voice, press 3.""
And so on.
Finally getting through to an operator didn't help anything. I was immediately placed on hold for another ten minutes while being told by the robot voice that there was a "high volume" of other out of work suckers waiting to be gravely disappointed by their state government. So, when I did get through to a questionably live person, she suggested I write a letter.
ME: A what?
HER: A letter.
ME: On paper?
You see, this is why people jump at the chance to cheat the government out of ANYTHING because if you do play by the rules, which in this case I was trying to do, you go through so much more of a hassle than if you simply break the law. It is actually easier and less time consuming to go to jail than to spend weeks, months, and years attempting to file the appropriate paperwork for any given task in this country. Seriously. WRITE A LETTER? WHO WRITES A FUCKING LETTER EVER ANYMORE? I'll tell you who: Grandmothers and people trapped on an ISLAND.
Bullshit.
"If you have an easy question, press "1." If you have a hard question, press "2." If you would like to ask your question in a high-pitched voice, press 3.""
And so on.
Finally getting through to an operator didn't help anything. I was immediately placed on hold for another ten minutes while being told by the robot voice that there was a "high volume" of other out of work suckers waiting to be gravely disappointed by their state government. So, when I did get through to a questionably live person, she suggested I write a letter.
ME: A what?
HER: A letter.
ME: On paper?
You see, this is why people jump at the chance to cheat the government out of ANYTHING because if you do play by the rules, which in this case I was trying to do, you go through so much more of a hassle than if you simply break the law. It is actually easier and less time consuming to go to jail than to spend weeks, months, and years attempting to file the appropriate paperwork for any given task in this country. Seriously. WRITE A LETTER? WHO WRITES A FUCKING LETTER EVER ANYMORE? I'll tell you who: Grandmothers and people trapped on an ISLAND.
Bullshit.
Monday, March 02, 2009
All of the above
My staggering depression last week erased from my memory a little blurb on steroid abuse I saw on either ESPN or MLB.com. It was an interactive poll which asked the fans "who is responsible for the steroid scandal in baseball?" The options were something like (I hate that I didn't write this on the day):
A. The players who took the steroids.
B. MLB management
C. The players who knew about the steroid abuse but didn't say anything
And some fourth option I can't remember, but I can tell you what the fourth option WASN'T. It wasn't "the fans." Now, I know neither MLB nor ESPN would attack sports fans on their sites, so the absence of this option isn't surprising. However, the fans are the number one reason steroid abuse is so rampant in Major League Baseball, not to mention professional wrestling, other major sports, and the film industry (the FILM INDUSTRY??? Yeah, stupid, the film industry). Regular folk want to see the big plays, the monster homeruns, the impossible feats. The subtle intricacies of ALL popular entertainment are victims of the crowd's thirst for extraordinary experiences. No one wants to see a well placed sacrifice bunt anymore. They want to see the long ball.
I read an article somewhere about up-and-coming ballplayers in the Dominican Republic, and each of the guys interviewed confirmed that the popular consensus on making it in the big leagues is that one MUST hit homeruns. MUST. Because you will not be asked to join the majors otherwise. Sure, that's what team owners and GMs are looking for, but they're in search of power because that's what the fans want. That's the marketable commodity.
Fans are impossibly jaded and have always harbored an oppressive hero worship. The pressure on the player is this: do the impossible or go home. That effect on the players isn't just about steroids, either. Baseball professionals are ten times more muscular than they used to be even 15 years ago. And that's not all substance abuse, it's strenuous exercise routines and fitness regimens. So, in an environment when every guy in the clubhouse is the size of a barn, why wouldn't you look for alternate means to get that edge?
It may have been lost along the way, but the fans asked for this shit. The same beery dildo who calls in to sports talk shows complaining about "cheaters" like A-Rod is the same obnoxious shithead who jiggles delightedly at each homer Jeter hits. It's more "natural," he figures. Is it?
A. The players who took the steroids.
B. MLB management
C. The players who knew about the steroid abuse but didn't say anything
And some fourth option I can't remember, but I can tell you what the fourth option WASN'T. It wasn't "the fans." Now, I know neither MLB nor ESPN would attack sports fans on their sites, so the absence of this option isn't surprising. However, the fans are the number one reason steroid abuse is so rampant in Major League Baseball, not to mention professional wrestling, other major sports, and the film industry (the FILM INDUSTRY??? Yeah, stupid, the film industry). Regular folk want to see the big plays, the monster homeruns, the impossible feats. The subtle intricacies of ALL popular entertainment are victims of the crowd's thirst for extraordinary experiences. No one wants to see a well placed sacrifice bunt anymore. They want to see the long ball.
I read an article somewhere about up-and-coming ballplayers in the Dominican Republic, and each of the guys interviewed confirmed that the popular consensus on making it in the big leagues is that one MUST hit homeruns. MUST. Because you will not be asked to join the majors otherwise. Sure, that's what team owners and GMs are looking for, but they're in search of power because that's what the fans want. That's the marketable commodity.
Fans are impossibly jaded and have always harbored an oppressive hero worship. The pressure on the player is this: do the impossible or go home. That effect on the players isn't just about steroids, either. Baseball professionals are ten times more muscular than they used to be even 15 years ago. And that's not all substance abuse, it's strenuous exercise routines and fitness regimens. So, in an environment when every guy in the clubhouse is the size of a barn, why wouldn't you look for alternate means to get that edge?
It may have been lost along the way, but the fans asked for this shit. The same beery dildo who calls in to sports talk shows complaining about "cheaters" like A-Rod is the same obnoxious shithead who jiggles delightedly at each homer Jeter hits. It's more "natural," he figures. Is it?
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