Despite however much I've curbed my drinking habits, it's difficult to convince people who've witnessed my heavier days (is this a tampon commercial?) that I'm not a bumbling idiot. And even without alcohol, I'm seemingly incapable of grace and tact, so it is no surprise that Saturday night's lovely karaoke party in honor of Kath's 30th birthday saw yours truly make an utter ass out of himself on exactly three occasions. The first, having somehow magically channeled Rob Halford, was when I took the microphone and did my version of Judas Priest's "Breakin' the Law," which, admittedly, went over pretty well. However, my "Bill Cosby sings Superfreak" was ill received as it was evident that I wasn't so much entertaining as I was a sad, silly little man. It was then brought to someone's attention that I do a raptor impersonation. I hadn't done the raptor in some time, as was made abundantly clear when I assumed the raptor position and chased a small gaggle of Japanese girls down the street who (impossibly!) turned abruptly, causing me to reel back, lose my balance, and fall to the concrete. As I fell to the unforgiving platform of cold, cold shame, I couldn't help but think, "I deserve this" and "this is my life" before my shoulder collided rather clumsily with destiny. I stared up into the heavens, a shooting star flitting by as if to mock me, when my field of vision was consumed by a massive, hulk of a figure. Apparently, a giant Samoan man had taken an interest in my plight and was now aggressively offering his assistance.
"Yo, man, you ok?"
(waving my arm) "Just leave me here..."
"Yo, get up, muthafucka."
So now, Samoan Joe wanted to beat me up because I didn't want his help. Only in New York will you find someone who WILL slap you silly if you won't succumb to their generosity. It's like violently raping an old woman because "the bitch wouldn't let me help her cross the street, nigga!" I believe it was new roommate Rachel's poignant comment that "he wanted to kick you BECAUSE you were down." Too true. Too true.
I have been informed that I shall be honored tonight, along with other performers and contributors, by my friend Jonathan's production company, who are celebrating ten years of service to the film & theatre community. Now, I'm not entirely certain what there is to honor, unless they're giving out awards celebrating "Angriest Performance by a Whining Douchebag." If that's the case, then I'm a shoo-in. Or a Shaolin. Or a racist.
Monday, September 25, 2006
Friday, September 22, 2006
Aw, little cutie wants to say somethin' cute
During my recent trip to Philadelphia, my ears were gang raped by some of the most vile and aggressive language I'd ever heard in a public transportation station (except, of course, for that time a black gentleman sat at the door between cars on the uptown 1 train and painfully described, in colorful detail, how he was going to kill me and my white children. We made out a little, but I still feel kind of violated). I'm well aware that Philly's filled with thuggish louts, but the sheer cartoonishness of their banter raised the experience into a whole other realm of wonder and delight. A sample:
"Jimmy, you fuckin' gotta put the fuckin' fuck into the fuckin' machine or you're not fuckin' gonna get no fuckin' place."
"I fuckin' know that, fuckin' Tommy, fuckin' you and your fuckin' mouth."
"Fuck."
This went on for several minutes, fading into the background like the ever present drone of the natives' drums in an island picture. FUCK fuck fuck fuck FUCK fuck fuck fuck FUCK fuck fuck fuck. It was oddly soothing. Well, soothing if you enjoy being rocked to sleep by the world's most obscene chicken. FUCK fuck fuck fuck FUCK fuck fuck fuck.
My favorite rap lyric of the week? Glad you asked. Missy Elliott's line on the Biggie Duets album:
"Don't you know I'm the ultimate, to get this nookie be fortunate, just like tasting pussy with pork in it."
You simply cannot beat that. CAN. NOT. BEAT. THAT. Every cunnilingus enthusiast out there knows that the troops have been clamoring for the great taste of pork for YEARS. Finally, someone has the guts to say something about it. Maybe something will get done, at long last. Might I suggest something in the way of the Pork/Pussy Reform Act? PORK + PUSSY 2007! Actually, I think that's Hillary Clinton's slogan for her '08 campaign.
"Jimmy, you fuckin' gotta put the fuckin' fuck into the fuckin' machine or you're not fuckin' gonna get no fuckin' place."
"I fuckin' know that, fuckin' Tommy, fuckin' you and your fuckin' mouth."
"Fuck."
This went on for several minutes, fading into the background like the ever present drone of the natives' drums in an island picture. FUCK fuck fuck fuck FUCK fuck fuck fuck FUCK fuck fuck fuck. It was oddly soothing. Well, soothing if you enjoy being rocked to sleep by the world's most obscene chicken. FUCK fuck fuck fuck FUCK fuck fuck fuck.
My favorite rap lyric of the week? Glad you asked. Missy Elliott's line on the Biggie Duets album:
"Don't you know I'm the ultimate, to get this nookie be fortunate, just like tasting pussy with pork in it."
You simply cannot beat that. CAN. NOT. BEAT. THAT. Every cunnilingus enthusiast out there knows that the troops have been clamoring for the great taste of pork for YEARS. Finally, someone has the guts to say something about it. Maybe something will get done, at long last. Might I suggest something in the way of the Pork/Pussy Reform Act? PORK + PUSSY 2007! Actually, I think that's Hillary Clinton's slogan for her '08 campaign.
Thursday, September 21, 2006
Cross swords, more like
Honestly, there is absolutely nothing that brings me joy in life. I have no hobbies. I have no interests. I don't like people. Most of life's fruit is rotten long before it's been displayed in the case, its musty pulp decaying under the hot lamps of my scrutiny. Except for crossword puzzles. Crosswords are the one facet of my existence with which I am fully satisfied. What jolly mental romp does Mr. Shortz have for me today, pray tell? What? The answer for "Chair person, perhaps" is "lion tamer?!" YOU SCAMP! Every answer to every clue fills me with a sort of smug delight, as I stroke my penis under my desk, aroused by my faux-brilliance.
On a seemingly unrelated note, actors are loud, arrogant fuckfaces. I say this because as I sat waiting to go into an audition, I noticed a fellow across from me doing the New York Times puzzle. This alone is no big deal. Plenty of actors do the crossword. However, this audition was for a "funny" spot, and the standard issue rogues gallery began piling in, one by one, each an obnoxious canker sore filled with woefully longwinded tales of improvisation and one-man-shows. They all know each other, because they all secretly hate each other. So, it was no surprise that when one sinister cad sat next to the fellow doing the crossword, he very loudly began to help. The two of them sat there, unaware that they were ruining the only thing to which I look forward, and systematically called out each answer. Every. Single. Answer. What's more, they announced, with the sort of ironic nonchalance that makes the studio audience go "ooooooooh," the trick of the puzzle. Now, the trick of the puzzle, especially Wednesday through Friday, is the central theme, the thoughtful gimmick that makes the entire puzzle worthwhile. Nothing is more satisfying than solving the trick of the puzzle. It's figuring out the murder mystery before the detective does. It's nailing a preteen black hooker and not getting AIDS. It's getting the last oreo cookie before your roommate does because you've murdered him in his sleep with a rolled up copy of Woman's Day. But all that...all that was taken away from me. I'm pretty sure I'll never know what it's like to be raped (maybe you can make that happen, Davey), but this as close as I'll get. Violated. Betrayed. My words were crossed against my will.
On a seemingly unrelated note, actors are loud, arrogant fuckfaces. I say this because as I sat waiting to go into an audition, I noticed a fellow across from me doing the New York Times puzzle. This alone is no big deal. Plenty of actors do the crossword. However, this audition was for a "funny" spot, and the standard issue rogues gallery began piling in, one by one, each an obnoxious canker sore filled with woefully longwinded tales of improvisation and one-man-shows. They all know each other, because they all secretly hate each other. So, it was no surprise that when one sinister cad sat next to the fellow doing the crossword, he very loudly began to help. The two of them sat there, unaware that they were ruining the only thing to which I look forward, and systematically called out each answer. Every. Single. Answer. What's more, they announced, with the sort of ironic nonchalance that makes the studio audience go "ooooooooh," the trick of the puzzle. Now, the trick of the puzzle, especially Wednesday through Friday, is the central theme, the thoughtful gimmick that makes the entire puzzle worthwhile. Nothing is more satisfying than solving the trick of the puzzle. It's figuring out the murder mystery before the detective does. It's nailing a preteen black hooker and not getting AIDS. It's getting the last oreo cookie before your roommate does because you've murdered him in his sleep with a rolled up copy of Woman's Day. But all that...all that was taken away from me. I'm pretty sure I'll never know what it's like to be raped (maybe you can make that happen, Davey), but this as close as I'll get. Violated. Betrayed. My words were crossed against my will.
Wednesday, September 20, 2006
U.N. whose army?
The pretentious motorcade rolling by the office building this week can only mean that it's U.N. time again. In order to accommodate the world's most powerful men (I believe they have all been awarded "World's Greatest Grandpa" mugs), 42nd street has been tri-sected to form a very special "center lane" because, you know, God forbid Kofi Annan has to sit in traffic like the rest of us. Fuck these people. Let them take the bus.
Despite how loathsome people in power tend to be, occasionally a gem pops out of their sweaty, over-indulged mouths: Hugo Chavez called President Bush the Devil. Now, I think Hugo Chavez may have played third base for the Yankees in the mid-90's, but he raises a valid but ultimately trite point. Yeah, yeah, yeah. The Bush administration's evil. We get it. Can we all please give up this ridiculous idea that somehow it matters? It makes no difference if it's George W. Bush or TV's lovable Conrad Bain sitting in the White House, the machinations of democracy are an illusion. You can rock the vote, march on Washington, make a macaroni peace sign and annoy people all day in Union Square, but it will never make a difference. What Chavez wants to say is that America is evil. And we are. Evil and rich. Which brings me to Kentucky.
A Comair flight went down in Kentucky and killed 49 people. Conan O'Brien did a sketch for the Emmys involving a plane crash which aired not long after the accident, prompting NBC affiliate WLEX to express outrage and offer an immediate apology (both on behalf of NBC and against it. I'm sure provincial governors in the Roman empire did a lot of this sort of thing too). This country is going out of its fucking mind with the apologizing bullshit. And the plane crash was an ancillary part of the sketch. I can see if Conan O'Brien lit a model plane on fire and threw it into a bucket of Kentucky Fried Chicken and screamed "THAT'S YOU FLIGHT 5191! THAT'S WHAT YOU LOOK LIKE!" But he didn't. So who are we apologizing to? The families of the 49 people who died? What are the chances they were watching the Emmys mere hours after their loved ones collided with a planet? What are the chances they watch the Emmys period? Apologizing for a completely unrelated comedy sketch is an empty gesture, a senseless public relations move. And any Americans audacious enough to be offended by something like that are frauds and cads. What's offensive is the speed with which these groveling apologies come these days. Our people are preemptively sorry and they stink.
"These days?" What am I, 95?
Despite how loathsome people in power tend to be, occasionally a gem pops out of their sweaty, over-indulged mouths: Hugo Chavez called President Bush the Devil. Now, I think Hugo Chavez may have played third base for the Yankees in the mid-90's, but he raises a valid but ultimately trite point. Yeah, yeah, yeah. The Bush administration's evil. We get it. Can we all please give up this ridiculous idea that somehow it matters? It makes no difference if it's George W. Bush or TV's lovable Conrad Bain sitting in the White House, the machinations of democracy are an illusion. You can rock the vote, march on Washington, make a macaroni peace sign and annoy people all day in Union Square, but it will never make a difference. What Chavez wants to say is that America is evil. And we are. Evil and rich. Which brings me to Kentucky.
A Comair flight went down in Kentucky and killed 49 people. Conan O'Brien did a sketch for the Emmys involving a plane crash which aired not long after the accident, prompting NBC affiliate WLEX to express outrage and offer an immediate apology (both on behalf of NBC and against it. I'm sure provincial governors in the Roman empire did a lot of this sort of thing too). This country is going out of its fucking mind with the apologizing bullshit. And the plane crash was an ancillary part of the sketch. I can see if Conan O'Brien lit a model plane on fire and threw it into a bucket of Kentucky Fried Chicken and screamed "THAT'S YOU FLIGHT 5191! THAT'S WHAT YOU LOOK LIKE!" But he didn't. So who are we apologizing to? The families of the 49 people who died? What are the chances they were watching the Emmys mere hours after their loved ones collided with a planet? What are the chances they watch the Emmys period? Apologizing for a completely unrelated comedy sketch is an empty gesture, a senseless public relations move. And any Americans audacious enough to be offended by something like that are frauds and cads. What's offensive is the speed with which these groveling apologies come these days. Our people are preemptively sorry and they stink.
"These days?" What am I, 95?
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